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This book – the first in a two-volume set – delves into the first half of Franco's career and shines a light into the darkest corners of the Franco filmography and uncovers previously unknown and unsuspected facts about their casts, crews and production histories.Jesús 'Jess' Franco is an iconic figure in world cinema. His sexually charged, fearlessly personal style of filmmaking has never been in vogue with mainstream critics, but for lovers of the strange and sado-erotic he is a magician, spinning his unique and disturbing dream worlds from the cheapest of budgets.In the world of Jess Franco freedom was the key, and he pushed at the boundaries of taste and censorship over and over again, throughout an astonishingly varied career spanning sixty years. The director of more than 180 films, at his most prolific he reached a supercharged frenzy that yielded as many as twelve films per year, making him one of the most prolific filmmakers of all time.Franco was the winner of a Lifetime Achievement prize at the 2009 Spanish Goya Film Awards, but his appeal does not depend upon mainstream respect; instead fans around the world have embraced his cinema, first on video and then more and more frequently on DVD and Blu-Ray. Where once he was castigated for slapdash haste, many fans today not only accept but even revel in the rough edges of his work. His delirious improvisations and raw, punkish spontaneity turn the basics of popular cinema, sex and violence, into a whirl of sensations, a seductive and bewitching spectacle that could only be the work of one man.Franco's taste for the sexy and horrific, his lifelong obsession with the Marquis De Sade and his roving hand-held camera style birthed a whole new strain of erotic cinema. Disturbing, exciting and defiantly avant-garde, films such as Necronomicon, Vampyros Lesbos, Virgin Among the Living Dead and Venus in Furs are among the jewels of European horror, while a plethora of multiple versions, re-edits and echoes of earlier works turn the Franco experience into a dizzying hall of mirrors, further entrancing the viewer who dares enter Franco's domain.Stephen Thrower has devoted five years to examining each and every Franco film. This book – the first in a two-volume set – delves into the first half of Franco's career: from his avant-garde comedy Tenemos 18 años in 1959, through the groundbreaking surgical horror story The Awful Dr. Orlof and the art-horror masterpiece Necronomicon, to his grisly psycho-killer opus Exorcism in 1974. Ably assisted by the esteemed critic and researcher Julian Grainger, Thrower shines a light into the darkest corners of the Franco filmography and uncovers previously unknown and unsuspected facts about their casts, crews and production histories.Unparalleled in scope and ambition, Murderous Passions brings Franco's career into focus in a landmark study that aims to provide the definitive assessment of Jess Franco's labyrinthine film universe.
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Product details
Series: Strange Attractor Press (Book 1)
Hardcover: 464 pages
Publisher: Strange Attractor Press (May 1, 2015)
Language: English
ISBN-10: 1907222316
ISBN-13: 978-1907222313
Product Dimensions:
9.5 x 11 inches
Shipping Weight: 4.1 pounds
Average Customer Review:
5.0 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#1,364,676 in Books (See Top 100 in Books)
Little did I know what wonders would be found in the package that arrived at my doorstep the other day. I know many of you Franco fans out there are wondering about the quality and research that can constitute a retrospective on the cinema of Director Jesus Franco . Well, look no further for author Stephen Thrower with assistance from Julian Grainger has accomplished this and even more. This is Volume One of ,it seems, a two volume series and this one covers the years of 1959 thru 1974 starting with 'TENEMOS 18 ANOS' and ending with 'LES GRANDES EMMERDEUCES ' aka 'THE COLOSSAL BLOODY NUISANCES '. Each film is presented by year release, alternate titles, production companies involved in the films release, theatrical distributors, a timeline of the shooting date to the theatrical release, cast and credits, full synopsis of the film, production notes, a full review of the film , reflections on the cast and crew, Franco on screen (cameos he appeared in ) the films locations, the films music , connections( where the film echoes other Franco films or ideas of films to come) ,other versions of the film, and press coverage on each film. Had enough? There's more. The book has a forward by actress Monica Swinn, a wonderful introduction to what constitutes a Franco film experience, a section on the Eurocine production company and a conversation between the author and Franco and his muse, Lina Romay conducted in 2010 . There is still more but that's for you to find out. The book is super saturated with rare stills and photos plus 2 color sections which will knock your eyes out. Author Thrower has greatly improved since his other tome 'BEYOND TERROR- THE FILMS OF LUCIO FULCI discussing each films positives and negatives without seeming redundant. It has almost been two decades since the first serious book on the Director 'OBSESSION- THE FILMS OF JESS FRANCO scribed by Lucas Balbo , Peter Bluminstock and Christian Kessler was published and since then , hard to find prints of his films have become readily available thru DVD and BLU-RAY making this series of books long over due and we are blessed that Stephen Thrower and Julian Grainger have taken up the gauntlet. Don't let the book's price throw you off, it is worth the treasures found within it's massive bulk and I think I read that it is a limited edition so act fast. Alongside author Tim Lucas's quintessential tome on Director Mario Bava 'ALL THE COLORS OF THE DARK', this first volume on Director Jesus Franco is essential for fans and film scholars alike and it would be a tragedy for any serious genre fan to be without it.
If you are a student of the films of Jesus Franco, this is your textbook. Hopefully he comes out with volume 2 soon!
Great book, great service. Buy with confidence.
Everything was wonderful
great
Stephen Throwers book about Jesus Franco was foreshadowed several years ago. Many delays must have occurred and for a long time I thought it would never see the light of day. And if so, maybe just as a small pamphlet or the like. My joy was therefore great when the book finally appeared, for it exceeded every expectations!Why write a book about Jesus Franco. Who is he and how many film buffs really know his name. For it is obvious, Franco is neither well known or particularly recognized as a director in wide film circles. One should be over average interested in films and especially the genre often referred to as “sleazeâ€, to have encountered his name.Jesus Franco was born in 1930 in Spain. He started his career as a director and actor in the 50s and made over his career over 300 films. Impressive numbers indeed.Franco has virtually been through all movie genres including, horror, crime, porn, zombies, vampires, comedies and even science fiction (sort of!) Always with a very personal touch and distinctive expression. Let it be clear Franco has never sought the conventional and ordinary. He is a director who orients himself towards the unconventional, quirky and often the bold and challenging. Thus one often refers to Franco's films as "dreamlike" with little emphasis on linear or logical structure. Seeing Franco can be a unique and rewarding experience but can also challenge one's patience and critical thinking a lot.For those of us who enjoy Franco, I think the fact that his films have such a different look is just a factor to heighten their appeal. One gets glimpses into a universe where other laws seem to rule and where the quirky and bizarre elevates to the norm.One of Franco's "specials" are showing nude women on film. Franco started as a filmmaker in an age where a naked woman's breast on film was almost unheard of. In that sense one can claim that Franco was a "pioneer." He pushed boundaries and broke some taboos, which secured him a certain reputation as "dangerous" in the puritan community in Spain at that time, but also ensured a large audience for his films wherever they were allowed to be shown. Let it be said that measured against today's standards these films seems completely harmless. Today`s appeal lies rather in the charming, innocent and nostalgic.Franco was always very conscious of the zeitgeist, music, decor, architecture, design and costumes. These are elements that are given great attention in his films and that undoubtedly helps make many of them into a visual feast. Seeing Franco movies from the late 60's and early 70's is to embark on a journey through time. A time that might admittedly never have existed in reality, but what does that matter. It is also from this period Franco's best films emerge.Franco was known for working quickly. He managed to make movies on very low budgets and for him often the actual process of making films was the most important. Not necessarily the result. This may sound strange, but it illustrates well Francos restless soul. He always searched for something new and quickly left the past behind. This shows well in his films. Many of them seem sloppy and half-finished. That it is not possible to deny. Yet they always contain scenes that impresses and astounds.Throwers book (which is the first of two volumes) addresses Franco's career chronologically from the beginning in the late 50's until 1970. The book is very dainty in large format and packed with both black and white and color images. Thrower devotes one chapter to every film, each with thorough analysis and various information about actors, music, location, reception and other trivia.I must say I am amazed at how wonderful this book has turned out to be. It surpasses my greatest expectations. It is obvious that there lies a huge workload behind with thorough, time-consuming and extensive research. I take my hat off to you Stephen!Many may have seen Stephen Thrower in the extras in some of the newer Franco DVDs. The bearded gentleman with insightful analysis.The book is also very well written. Thrower demonstrates great insight not only on Franco, but also towards films in general. He is simply a very talented writer: analytical, critical and fun. I look forward to the next book. I can hardly wait!
This is the book Jess Franco fans have been waiting for... well, half the book, anyway! 2016 seems so far away, now that I know I have to wait until then to savor volume two of this magnificent appreciation of one of European cult cinema's most polarizing figures. Thrower's clear, incisive writing is a pleasure to read from beginning to end. He manages to convey enthusiasm without coming off like a total fanboy and he challenges many of the assumptions made about Franco and his work. The end result is engaging and insightful, but never dry and stuffy. From my point of view, this is the finest thing yet written about the director in English - and happily, the quality of the production from the publisher at Strange Attractor matches the quality of the content. There are some terrific images here, a number of which I have never seen before, and the reproduction quality is outstanding. Now all that remains is for me to anxiously await volume two... Bravo, Stephen Thrower - you've done Franco and his cinema proud.
Beautiful work... well put together, with a ton of photos. Exactly what one expects from Mr. Thrower by now. His writing is always detailed, intelligent and thoughtful. This is serious scholarship, yet written with much wit and charm. This is obviously not for everyone, as Franco's work is certainly an acquired taste. But for those who recognize how truly unique and mesmerizing Franco's vision was, this book is absolutely indispensable. It's hard to imagine a more ambitious examination of his work. I can't wait for volume 2... or the second volume of Nightmare USA, for that matter.
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